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The Jury Art Prize 2026
Mungili Waterhole
Marlene Anderson
Acrylic on linen
“No one goes there and sees that landscape. Only two, Mr and Mrs [refers to footsteps in painting]. They was walking to see if the water was in there. Walking on the creek sand, they see the colours and walk down to the water hole and dig where the waters been left. Dig the creek sand where there is still water. Little huts where they sit; move when it dries out. Leave remembrance behind. When the water fills up again; come back.
When the creek sand is still moist you can see the colours. You can see many colours – lovely colours come out. I do that in my mind [when painting], go and think about the rock colours there.
Different plants, water runs, and different plants are growing, different seeds. When it rains, all year round, when its overflowing. It’s all connected. The orange sand connects to one waterhole full of water, then flowing through the creek sand. This side down [pointing to one rock hole]; and it’s a bit up [pointing to another rock hole].
- Marlene Anderson


About the Artist
Marlene Anderson
Pilbara
“My mother and father were from Wiluna area. I was born out in the desert, Melrose Staon near Wiluna. My mum and dad were working on the staon there then. I did my schooling there, but I moved to Jigalong as a young girl, then had my first child there. I’ve got three children and a step son too.
[I started painng] in Jigalong, one day at that lile art shed there when Gabrielle [Sullivan, inaugural manager of Martumili Arsts] was sll the manager. When I shi to Newman I started painng in that old centre somemes. One day at this new [art centre] building I just started coming in with Anya [Judith Samson]. She was giving me a lile bit of advice, saying I should come in and do something! I just started doing it then, doing it more and more.
It’s good to paint. I was looking at other people that paint, seeing their painngs get sold, so I thought “Oh yeah, I’ll start then!” It’s fun. I couldn’t stop painng now, I’m painng every day! I tried every painng style. Now I found this different way to paint, doing the dot painngs, and this is the one I like most. It’s relaxing! I use a long sck. I paint all the different colours I see out in Country. I like to paint about all the bush foods and wildflowers.
We go out geng honey ants and bush potatoes from the ground and bush bananas on a tree, hunng for goanna. I work with KJ [local ranger group, Kanyirninpa Jukurrpa), take the kids out Country, out in the bush. ‘Kids on Country’ we call it. It helps them to go out Country. When they go out and see the countryside and the bush, makes them feel a bit happy and like they want to go out more and more.
I help take them out to track a goanna, take them right up to the hole and they dig it out. Any kids can come- like eight (years), ten, twelve, fourteen… We work with the ones who wander around in Newman, who aren’t going to school. Some kids don’t like going to school- their parents send them to school but they go around another way. It’s important for them to learn the tradions from their old people so they can be proud of themselves.
I paint about the same things they learn out on Country; going and geng the honey ants, goanna, bush tomatoes and bush berries. I also do patrol at night with the women’s shelter to help the kids, help [their] families. They need someone like me to go out and help them and take them home.
I’ve had my painng in the gallery here in Newman. That felt good to see my painng on the wall. I feel happy and proud when someone buys one of my painngs.”
— Marlene Anderson
Marlene Anderson has painted with Martumili Arsts for over a decade, beginning at a 2010 workshop in the Jigalong art shed. Today she is one of Martumili’s core arsts, painng daily from her home or the Newman studio. Her style is marked by an intuive approach to composion, colour palees, and variaon in mark making to create bold and dynamic works.
In 2023, her work was featured in Revealed: New and Emerging WA Aboriginal Arsts, and in 2025 she was a finalist in the presgious Telstra Naonal Aboriginal & Torres Strait Islander Art Award (NATSIAA).
Through painng and her work with Kanyirninpa Jukurrpa’s 'Kids on Country' program, Marlene fosters pride and connecon to Country for future generaons.
